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Introducing World’s Strongest Beer

Meet the World’s new strongest beer- a beer called Armageddon. With 65% alcohol, this drink is 130 proof. The beer is the creation of the Scottish brewery Brewmeister.

A spokesman said: “Despite being 65%, the beer has a lot of flavour – malty, hoppy, slightly sweet and lots of yeast still in the beer… …Be careful though, smelling it is probably enough to put you over the limit!”

That 65 percent alcohol by volume trumps the previous champion, a beer made by BrewDog, which was at 55 percent. They were able to achieve such a high percentage by freezing the beer, removing some of the ice that forms, while leaving much of the unfrozen alcohol (because water and alcohol freeze at vastly different temperatures).

The beer is for sale in 330ml bottles at £40.00, but there is a two week back order due to high demand.

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Giant Gollum

Giant Gollum wants a fish. This 13 meter long (that is 42.6 feet) creation is found at Wellington Airport in New Zealand. Designed and produced by Richard Taylor and Weta Workshopsupervisor Rob Gillies.

Fun fact, growing up I always watched the extra feature sections on DVDs and from the Lord of The Rings DVD I learned about Weta Workshop. I quickly developed a sort of a crush on the place. I watched the videos, read articles, even looked up what it would take to work there. Unfortunately you have to be a New Zealand residant, so yeah… dream foiled.

Gollum

Above the Clouds Photography

Have you ever wondered what it would be like to have the power to fly like Superman? I have. And I would definitely experience the wonders of nature in their full magnificence.

One of the first things I would do is to fly through a storm and see the sunrise from above the clouds. That’s a view to remember, and you can see some more great scenes above the clouds here in these amazing images taken by some great photographers. You should really check more of their pictures simply by clicking each picture. They’ll very much appreciate it. I hope you enjoy these as much as I did. Up, up and away! Cheers. 😉

Luís Riafoge

Above the Clouds Photography

Sebastian Opitz

Above the Clouds Photography

Glenn Harper

Above the Clouds Photography

Evgeni Dinev

Above the Clouds Photography

Eric Kraus

Above the Clouds Photography

Michi

Above the Clouds Photography

Edgar Moskopp

Above the Clouds Photography

Catalin Marin

Above the Clouds Photography

Andy Butkaj

Above the Clouds Photography

Gilles Monney

Above the Clouds Photography

Edgar Moskopp

Above the Clouds Photography

Anton Jankovoy

Above the Clouds Photography

Jason Hummel

Above the Clouds Photography

Jason Hummel

Above the Clouds Photography

Richard Silvera

Above the Clouds Photography

11 Mysteries of Science, Illustrated

Why do we have fingerprints? How long can trees live? Why do cats purr? Artists illustrate humanity’s most burning scientific questions.

Why do we have fingerprints? Do immortal creatures exist? How do migrating animals navigate?

In a new book called The Where, The Why, And The How, 75 artists set out to illustrate some of the biggest, strangest, most curious scientific mysteries of our time.

Who’s More Annoying, Fanboys Or Fandroids?

Check out this “Shit Android Fanatics Say” video. Could this guy be any more grating? Get it out of your system in the comments below. You’ll feel so much better.
Hat tip to Android and Me, our sister site, for spotting this video by Mobile Phone Finder in Australia.It appears to be a response to September’s “Shit Apple Fanatics Say, Part 1” from the same outfit:

Customizable Steampunk PREDATOR Helmet

I know Predators only speak in grunts and growls, but I’d like to think that a steampunk Predator speaks with an English accent… and theeeen they murder people in the face. If you’re looking to make my fantasy a cosplay reality, then we’ve got you covered. SkunkWorksProps has created this wonderfully designed Steampunk Predator helmet.

Not only is it totally wearable, but you can order the raw fiberglass bio and customize this bad boy to the extent of your imagination… and skill. If you’re lacking in the skill and or time department, you can order one as you see pictured above and below. The helmet is deceptively light, coming in at around 2 lbs. The immensely detailed weathered metal look was achieved by using a combination of waxes, metal rubs and airbrushing.

The raw bio will cost you around $154, and requires some sanding and dremel work. The finished product will run you around $267.

10 Novels That Are Scarier Than Most Horror Movies

Amanda Yesilbas and Charlie Jane Anders

You can’t do jump-scares in a book. There’s no computerized special effects, or actors covered with gruesome makeup and KY jelly. You can always put a book down for a few days. And yet, the creepy prose of horror’s greatest writers has the power to hold you trapped in a spell of terror that no film crew can match.

Here are 10 horror novels that are scarier than almost any movie you could be watching. Better read these with all the lights on, kids.

1. The Shining by Stephen King

The movie version of The Shining is a pop culture touchstone — but as usual, the book is even better than the movie. There’s a reason King is considered a horror master: The tense atmosphere and freaky supernatural occurrences get into the reader’s head and make you begin to doubt your own grip on sanity, along with that of the characters. Most people are probably familiar with the premise of the book: An alcoholic father takes a job as the off-season caretaker of an isolated mountain resort, in order to work on his writing and become closer to his family. The son is a psychic, a “shiner”, who can see the hauntings in the hotel. Sure the book is chock full of supernatural visions — but equally disturbing is the human-on-human violence. The child’s-eye view of his parents’ deteriorating relationship — and sanity — is meant to dredge up uncomfortable memories of childhood’s confusion and powerlessness.

2. Haunted: A Novel in Stories by Chuck Palahniuk

The one-star and five-star reviews of this book actually say the same thing — it’s absolutely disgusting and disturbing. A group of would-be writers answers an advertisement for a three-month writing retreat. When the attendees arrive, they’re locked in an old-theater, with dwindling supplies. The novel is actually a series of short stories strung together under the artifice of the captives telling tales, and the tales become more horrifying and grotesque as the situation deteriorates. A situation made worse by the participants themselves, as they begin to practice murder and self-mutilation in the belief they are in some kind of reality show. It is said that when Palahniuk read the first tale “Guts” on book tour, people were fainting left and right. The reader is freaked out, not just by the graphic violence and unnerving supernatural bits — but also, the uncomfortable questions about what people will do for fame.

3. The Haunting of Hill House by Shirley Jackson

Four people venture to spend a summer in the reportedly haunted Hill House: Dr. Montague, an occult scholar looking for proof of ghosts, Theodora, his assistant, Eleanor, a young recluse, and Luke, the heir to the house. The group begins to experience strange and unexplained events. That plot might be familiar to you if you’ve seen either the intense 1963 psychological thriller movie The Haunting or the goofy, bad 1993 version of The Haunting. Jackson was such a master of creating suspenseful tension that there is even an award named for her that recognizes contemporary literature of psychological suspense, horror, and the dark fantastic. What makes the novel so effective is its unreliable narrator, Eleanor. Being limited by her incomplete perspective makes the reader just as unsure and vulnerable as she is. This perspective become more suffocating and tense as the line between the real and unreal and the living and dead becomes more and more blurred.

4. The Turn of the Screw by Henry James

While The Turn of the Screw has a gothic feel to it, Henry James was breaking away from a tradition of blatant “screamers” and “ragers,” and creating ghosts that were eerie extensions of the everyday. The story is about a young governess that takes a position at the secluded Bly house to care for an orphaned brother and sister. The governess begins to see apparitions of the former governess that died under scandalous rumors, and another dead servant Quint, who’d terrorized the house and possibly sexually molested the boy and other servants. She becomes convinced the children can also see the ghosts and are being hunted by them. The stiff and formal language along with the unfamiliar mores of the time might be a barrier to a modern reader — but if you let it flow over you, an eerie and unsettling scene takes shape. Nothing is ever explicitly stated in the story, from the crimes of the deceased servants to whether the children can actually see the ghost, to what was the actual reality of the ending. The written word allows for an ambiguity and unresolved tension that allows scholars to still argue about what was real and what might have been madness. The questioning for answers is what makes the story so creepy and evocative. Well, that and the creepy kids. Apparently unnerving, creepy children are not a new idea.

5. Books of Blood Volumes 1-3 by Clive Barker

Nightmare Magazine rates this collection of stories by Clive Barker as its number one horror book. This is probably a matter of taste, based on what kind of horror does it for you, but this collection of stories covers such a gamut that one is probably going to be one that hits your sweet spot. Of course the rest might sicken you with intense gore and general misanthropy. Barker always meant the stories to be published as a single work, so the collection represents that author’s singular vision of a book. This leads to a diverse collection of ghost stories, a gore-fest, and even a farce with a dancing chicken.

6. The Terror by Dan Simmons

In 1845 the Franklin Expedition, which consisted of 126 men on the two ship the H.M.S Erebus and H.M.S Terror, went to the Arctic circle in search of the fabled Northwest Passage. None of the men returned alive from this expedition. Dan Simmons blends historical fiction and horror to tell of the deaths of these men. The two ships are trapped in ice for years and as the supplies dwindle and go bad, madness and disease descend upon the crew. In the midst of the more mundane murder and cannibalism, a giant unknown beast begins stalking the men and killing them off in ones and twos. Simmons is masterful at setting a scene with a great attention to details that shows off his extensive research (though this tends to make for very long books). The book is a harrowing tale of survival horror builds fear with an inescapable environment and boosts of adrenaline from being hunted.

7. John Dies at the End by David Wong

David Wong and his penis obsessed best friend John take a drug known as soy-sauce that opens their mind to a higher plane and reveals to them an lunatic array of monsters like wig-wearing scorpions, that threaten to infest the world. The book takes every pop culture trend of the past twenty years, peppers it with 14-year-old dick and fart humor, and blends it all together with a huge heaping of splatterpunk gore. This one is probably not going to be for everyone. However it does successfully blend laugh-out-loud humor with legitimate horror. Despite the absurdity there are thrills to be had with the grotesque monsters, the existential dread of facing things beyond your comprehension, and bugs staring out at you from air conditioning vents while you sleep. The book has already been made into a movie — but it’s hard to imagine how the foul-mouthed meditations on how shit the human condition is, and all the existential dread, is going to translate without words. The film will also be lacking descriptive phrases like “the heavy monkey of sleep rested its warm, furry ass on my eyelids”. The visual medium can’t always match the beauty of prose.

8. The Exorcist by William Peter Blatty

There was a golden age of horror movies from the late sixties to through the 1970’s, that was brought on by a renaissance of quality horror novels like The Exorcist, Rosemary’s Baby, and The Shining. In a world where we’re all jaded by fountains of blood , it is a testament to a book’s quality that it can remain a staple on the “best horror novel” lists. The story is about an innocent young girl, who’s possessed by an ancient demon, an old priest that specializes in exorcisms and the research of demons, a young priest struggling with his faith after the death of his mother, and a police detective investigating a grisly murder. The book is engaging, and of course has its intense moments of supernatural activity and shocking moments that might be considered tame by today’s standards. The truly unsettling thing about the book — and what makes it linger as a classic — is how it tackles larger themes about belief and the unfairness of the world. It questions a god that allows an innocent to be struck down and made to suffer and questions why there is evil in the world. It leaves the reader very much aware of your own vulnerability and the vast unfairness of it all — which are the most terrifying things to contemplate.

9. The Call of Cthulhu and Other Weird Stories by H.P. Lovecraft

Lovecraft is difficult to pin down or talk about because of his cult like status, but it is hard to have a list of scary books and ignore him. He redefined what horror could be and influenced pop culture from Arkham Asylum to the Evil Dead movies. But whether you find his stories immediately frightening depends on your ability to take his dense prose. Some think his wordy descriptions paint an eerie and unsettling world. Some just find him tiresome. The development of the Cthulhu mythology is all about the lingering slow burn. Lovecraft often follows a pattern in his short stories: an educated man encounters an ancient horror so vast and beyond comprehension that he is driven mad by the mere thought or glimpse. Despite all of our civilization and education, we’re powerless pawns against a large brutal universe of half-glimpsed horrors. Despite being such a famous property, there hasn’t been much of an attempt to bring it to the big screen. There just isn’t much to see, instead the subtle and dense prose builds up a thick mythology of cosmic horror.

10. The King in Yellow by Robert W. Chambers

Lovecraft often gets a free ride for his dense and archaic prose because, you know, his stuff is old and dated. The King in Yellow counters that theory. Lovecraft read this short story collection and was deeply influenced by how Chambers linked together stories by the device of a strange half-explained text of such a horrible and disturbing mythology that corrupted and brought doom upon any reader. The thing is, Chambers’ prose is brilliantly clear and clean, his characters are sympathetic in their doom… and he predates Lovecraft. The first-person narrative makes the corruption of the characters subtle but vivid. Only the first four stories of the collection are actually related to horror, so it’s slightly cheating to call it a horror book — and truthfully one of the most eerie and unsettling stories in the book is about the Prussians laying siege to Paris and the horrors of war.

One Mountain, Three Lakes, Three Colors

Kelimutu is a volcanic peak in Indonesia that has three crater lakes, each displaying water with a different color! The Lake of Old People (Tiwu Ata Mbupu) is blue, the Lake of Young Men and Maidens (Tiwu Nuwa Muri Koo Fai) is green, and the Enchanted Lake (Tiwu Ata Polo) is a dark murky color that sometimes appears red. The exact color of all three lakes changes somewhat, and the tints are thought to be the result of gasses released from the earth underneath, interacting with the ecosystem in different ways for each crater. Each lake has its own spiritual meaning as well. read about them and see more pictures at Kuriositas.

Fascinating Vintage Photos of Beautiful Buildings Being Demolished

Pennsylvania Station – New York, New York

Richard Nickel, a heroic architectural photographer and historian lost his life recording Chicago’s grand design legacy before it succumbed to the devastating destruction of private developers making way for — in their eyes — progress and a new way of life. As he famously said, “great architecture has only two natural enemies: water and stupid men.”

What we destroy often says more about our society than what we create, and in the middle of the last century, after the end of WWII, we were a nation desperately needing to move on. These days what’s old is new again and thanks to a decidedly different approach to urban renewal, we now cherish all things salvaged, reclaimed and re-purposed. From New York City’s original Penn Station to Louis Sullivan’s landmark theater in Chicago that was tragically replaced by a parking structure, click through to remember some of our nation’s great lost buildings.

On July 14, 1966, under the headline, “A Vision of Rome Dies: Shorn of Its Proud Eagles, Last Facade of Penn Station Yielding to Modernity,” the great Pulitzer Prize-winning architecture critic Ada Louise Huxtable wrote the following “obituary” in The New York Times: “Pennsylvania Station succumbed to progress this week at the age of 56, after a lingering decline. The building’s one remaining facade was shorn of eagles and ornament yesterday, preparatory to leveling the last wall. It went not with a bang, or a whimper, but to the rustle of real estate stock shares. The passing of Penn Station is more than the end of a landmark. It makes the priority of real estate values over preservation conclusively clear. It confirms the demise of an age of opulent elegance, of conspicuous, magnificent spaces, rich and enduring materials, the monumental civic gesture, and extravagant expenditure for esthetic ends.”

Garrick Theater, formerly the Schiller Theatre Building – Chicago, Illinois

The story of Adler & Sullivan’s landmark Garrick Theater is the sad tale of the architectural preservation movement in Chicago in the middle of the 20th century. After a hard fought battle, the building was demolished in 1960 — a mere 68 years after it was built — and replaced with a parking structure.

Pruitt-Igoe Public Housing Complex – St. Louis, Missouri

Designed by George Hellmuth and World Trade Center architect Minoru Yamasaki, St. Louis’ 33-building Pruitt-Igoe public housing complex opened in 1954, and was demolished less than 20 years later. The project was seen as a massive Modernist failure, but many viewed “the death of Pruitt-Igoe as the death of Modernism.” Director Chad Freidrichs challenges the housing development’s failure in a fascinating documentary The Pruitt-Igoe Myth that explores the massive impact of the national urban renewal program of the 1950s and ’60s, which prompted the process of mass suburbanization and emptied American cities of their residents, businesses, and industries.

US Post Office – Boston, Massachusetts

This grand post office was erected in 1870 and demolished half a decade later in 1935. The big question being: why?

Biltmore Hotel – Oklahoma City, Oklahoma

One of the largest buildings to fall during the Urban Renewal era, the explosion that took down the 26-story, 600-room Biltmore Hotel in 1977 was televised across the country and often credited for playing a significant role in souring public support for the Urban Renewal program, which stalled out a few years later.

The Wabash Terminal – Pittsburgh, Pennsylvania

The demolition of the Wabash Terminal began in October, 1953. The Pittsburgh Press wrote, “With roof off, the workmen swarmed in and out of offices. Using crowbars and sledge hammers they pried and smashed.” A flatiron train station built in 1904, the Wabash was part of robber baron Jay Gould’s attempt to build a transcontinental railroad empire. It was torn down to make way for a Gateway Center office building. As the Pittsburgh Post-Gazette reported, the city’s urban redevelopment policy “swallowed more than 1,000 acres of land, razed more than 3,700 buildings, relocated more than 1,500 businesses, and uprooted more than 5,000 families.”

The Walker Art Center – Minneapolis, Minnesota

Louise Walker McCannel, granddaughter of Walker founder Thomas Barlow Walker, films the 1969 demolition of the Walker Art Center building, which made way for the 1971 building designed by Edward Larabee Barnes.

Tank Building – New York, New York

At one time owned by Aaron Burr, this tank building — as reported by The New York Times in 1887 — allowed the famed politician to secure a multimillion dollar charter to provide the city with clean water.

Astor House – New York, New York

Built in 1836, Astor House was at one time the most famous hotel in America, frequented by, among others, Henry Wadsworth Longfellow and Abraham Lincoln. It was demolished in 1926 after being deemed old-fashioned to make way for the towering art deco Transportation Building.

The Portland Public Market – Portland, Oregon

Designed by William G. Holford, the Portland Public Market was built for a reported cost of $1 million in 1933, and then demolished in 1969. Apparently the “novelty” building was unable to retain many tenants, but it was home to The Oregon Journal for 13 years.

City Hall – Detroit, Michigan

Built mostly in stone, Detroit’s Old City Hall took Alexander Chapoton a decade to complete. It was demolished 100 years later, in 1961.

Underwater Dogs, A Book of Dogs Fetching Things Underwater by Photographer Seth Casteel

Earlier this year we featured the work of pet photographer and animal rights activist Seth Casteel and his incredible shots of dogs fetching balls and other toys underwater. Now, Casteel has authored Underwater Dogs, a hardcover book of these (and new) photos, along with a 2013 calendar. The book is available to purchase at Amazon and the 2013 calendar is available to purchase at Willow Creek Press. Casteel was recently featured on ABC’s Good Morning America, Take a look at that segment which gives insight on Casteel’s process and the inspiration behind his work.

In more than eighty portraits by award-winning pet photographer and animal rights activist Seth Casteel capture new sides of our old friends with vibrant underwater photography that makes it impossible to look away. Each image bubbles with exuberance and life, a striking reminder that even in the most loveable and domesticated dog, there are more primal forces at work. In Underwater Dogs, Seth Casteel gives playful and energetic testament to the rough-and-tumble joy that our dogs bring into our lives.

Cocker Spaniel

ALEX Labrador Retriever 7 years

ROCCO Boston Terrier 7 years

REX Boxer 3 years

FOSTER Dachshund 6 years

HERBIE English Bulldog 2 years

RHODA Dachshund 7 years

DAGMAR Chesapeake Bay Retriever 10 years

CORALINE Olde English Bulldogge 2 years

BUSTER Cavalier King Charles Spaniel 6 years